(Source: drogondracarys)

(Source: aslanandhiseyebrows, via butamibovvered)

thelostie:

LOST closing shots

(via kiddohc)

Now don’t do anything stupid.  You’d fuck me up so bad.

“You want to get off this island more than anything else in the world.”

(via sexualsportswear)

(Source: laudanumandlysergia, via josephgilguned)

sexualsportswear:

“I don’t believe in the devil.”
“You should. He believes in you.”

This movie deserves more credit.  

(Source: monkeyknifefight)

corcordium:

dinuguan | nuclearbummer:

this is my new favorite video

Hercules reads his script entirely wrong
(reads the word disappointed, when he was supposed to sound disappointed)

New favorite thing to say when disappointed. 

(via alyses)

(via gotcaps)

(via robbstark)

(Source: bachsarcopitcairn, via thelostnumbers)

(via commanderspock)

(via buccaneer)

(via human-disaster)

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

- Roger Ebert on Lost In Translation

(Source: rogerebert.suntimes.com, via coulsonisms)